I
flinch when people ask me about my writing. Mostly because of the strange
notions they have about what goes into
making that little softbound copy of Jeffery Archer’s latest that’s lying on
their table. Having only read the success stories of Dan Brown or Stephanie
Meyer, everyone’s always expecting you to pop out the next bestseller. So where
do they get these ideas from? It’s because it’s so darned simple to write.
Now
before all my fellow writers start booing me, hear me out. I said it’s easy to
write. Creating characters with depth, a plausible story line,
pages that force the reader to turn them, reaching that word limit that seems
either too large or too small, all of that might just kill you.
I find a lot of similarities
between writing and having children. Just because you can reproduce doesn’t
mean you have parenting skills, and similarly, because you can churn a few
pages on your computer doesn’t make you writer. But
because people think that anyone who wants can write, they expect too much of
an aspiring writer. They expect to see your name in the NY bestsellers list
when you’re still tackling the problem of that one loophole in your story
through which your entire plot dissolves.
So What Are Writers Like?
In
my experience, writers, real writers are easy to distinguish by their attitude
towards writing. I was talking to some friends yesterday and one complained
about how she was ready to shred her manuscript and feed it to her shitzu. At
this, my second friend began to talk about how writing was the most relaxing
thing she knew. She loved every story she wrote about her breathtaking
protagonists, and the rainbow that shot through the words and hung over her bed
as she dreamt about bunnies sprinkled in pixie dust. There’s nothing wrong with
feeling happy about writing, I just think there’s a difference between the kind
of happiness you get.
"A work of art is the unique result of a unique temperament." -Oscar Wilde |
Real
writers seem to have more intense feelings towards their work. I know that in a
few months, my friend’s going to pull out her work from under her bed or out of
the trashcan and start working on it again like a bad relationship that just
too precious to lose. (I say “bad” because in this writer’s humble opinion, if
you’ve been visited by Erato or Calliope you’re in for some sleepless nights). Back
to my child rearing example, you never go to your children to unwind. If
anything, children represent nothing more than worries, messes to clean up, and
awkward sex talks. But the point is that the reason you put up with all that is
because there’s something deeper than just liking your children that motivates
you and it’s same with your work.
It’s
almost an elemental need that forcing yours fingers to pen down those last few
words before you fall flat on your writing desk snoring while the rest of world
is just waking up to the sunrise.
Two Sides
There are those who indulge in
the arts, who view it from their balcony seats and feel infused with beauty,
truth, and what not. And then there are those, who view it from behind the
curtains. Who see the dirt, who cover their cuts with grimy band aids and keep
the show going, and they discover a rather different form of beauty.
It’s
the beauty that comes when you decide to abandon that blasted book that has
given you nothing but pain, only to realize that the one thing worse than writing it and that is not writing it. And that is what makes a real writer.
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